In a confused welter of artistic licence, this is the classical music biopic which ma@一路向西类似的电影@kes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevale@操丝袜脚@nce of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisat@孕妇裸模@ion of Liszt fails to convey even a minute impres@午夜43路@sion of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status@斗罗大陆免费完整观看178集@ as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.
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